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The Lost Battalion: Controversy and Casualties in the Battle of Hue, by Charles Krohn

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In 1968 in South Vietnam, a U.S. infantry battalion was ordered to charge a fortified North Vietnamese Army force 200 yards away over an open field with no artillery or air support. The defenders had every advantage. The Americans started moving across the field just before noon, every man a target. By the time they reached the tree line at the other side of the open field, nearly one half of the 400-man battalion was a casualty. Nine long, agonizing hours afterwards, U.S. artillery units began support fire, although the units remained desperately short of ammunition. The entrapped men saw their fate: death or captivity. Help from headquarters was neither offered or available.

The following night the battalion commander decided to make a run for it. It was a gamble with high stakes. But the battalion did make it through enemy lines to a mountaintop where the NVA could not follow. When the Lost Battalion finally escaped encirclement, after nine hours with no artillery or air support, and 30 hours of fighting against an enemy that outnumbered them three to one, the tragic episode disappeared from official memory and relevant U.S. Army records--as if nothing had happened. Krohn tells the whole story--and it tells it with the words of those present. That some of the testimony comes from those responsible is remarkable.

• Sales Rank: #2363808 in Books
• Published on: 1993-11-19
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 6.50" w x 1.25" l, 1.22 pounds
• Binding: Hardcover
• 224 pages

From Publishers Weekly
Krohn, who served as the unit's intelligence officer, draws an instructive comparison between two drastically different battles fought in early 1968 by the 2nd Battalion, 12th Regiment, 1st Cavalry Division. In the first, 2/12 successfully withstood a North Vietnamese assault on firebase LZ Ross in the Que Son Valley. Essential to that success was the abundance of artillery and air support and adequate ammunition. Monsoon weather, logistical bungling and poor command decisions at divisional level, dictated that 2/12 went into the second battle, outside of Hue City, without air or artillery support. The battalion was surrounded by the enemy and began to run out of ammunition. As casualties mounted, the unit commander, Lt. Col. Richard Sweet, decided to walk his troops out of the encirclement under the cover of darkness. Led by "the ultimate point man," Private Hector L. Cammacho, the bold maneuver succeeded. Krohn, a retired lieutenant colonel, calls for stateside training in which infantry battalions practice operations after vital support systems have faltered. His first-rate account demonstrates what can happen in combat when such systems do break down. Photos.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
Most Vietnam War oral histories deal more with individual experiences than specific events. The opposite is true in this book, which details a tragic military foul-up. As the Tet Offensive commenced, U.S. Marines were trapped in Hue without packs, air and artillery support, or sufficient ammunition. The 2nd Battalion, 12th Cavalry, was ordered to relieve them. Although a large enemy force blocked the battalion, the commanding general ordered it to proceed. Stumbling upon the North Vietnamese Army's headquarters, the battalion was surrounded and ultimately suffered 60 percent casualties. As battalion intelligence officer, Krohn is on a mission to lay blame where blame is due. Yet what should have been a scintillating war narrative becomes disjointed in the heat of his crusade. The action pauses while every order, every act by higher-ups is examined. Recommended only for libraries with special interests in the army and Vietnam.
- Richard Paul Snyder, Cty. of Los Angeles P.L., Lakewood
Copyright 1994 Reed Business Information, Inc.

Review
"Anyone who has fought will recognize this as a real story about some very tough battles, written by a real soldier who was there. Fortunately, Charles Krohn is a keen observer who with just the right amount of trenchant humor tells a tragic story, tells it extremely well, and lets the emperor appear unclothed whenever it is appropriate to do so. A superb chronicle about a handful of brave men who did what they were asked to do despite the odds against them--on both sides."- General Donn A. Starry, USA-Ret.

Most helpful customer reviews

11 of 11 people found the following review helpful.
New generation finds lessons from the past.
By CPT Eric Remoy
I was the 2-12 Cav S-2 from January 2000 to July 2001, this book is everything a staff officer should and must read. I came upon the book because it was about my unit, it has been deliberately overlooked by army professional reading lists. Mr. Krohn's account highlights the unfathomable value of honesty and integrity in our profession; the lack thereof causes lives. An excellent read, a heart-wrenching story even today for those who were not there. "Those who do not study the past are doomed to repeat it." Thank you Mr. Krohn.

4 of 4 people found the following review helpful.
Should Be Required Reading for Generals and Politicians
By zendawg
Krohn was the intelligence officer for a battalion of the fabled 1st Cav Air Mobile Division that got caught with its pants down when the NVA staged its surprise attack during the Tet holiday ceasefire. As far as I can tell it was not his fault that the attack came as a surprise. They knew something was coming but not how bad it would be. The division had moved its headquarters and left its big guns behind. When the NVA launched its offensive Krohn's battalion was sent on a march to relieve the Americans in Hue. They left their backpacks with their ponchos and other critical gear behind to be flown in later. They marched into an NVA regiment that was guarding the NVA command and control center for the attack on Hue and were ordered to march across an open field and attack, as the author says much like in the Charge of the Light Brigade. (I am not a vet so please excuse me if I don't have the terms down). Krohn's battalion was surrounded and outnumbered, with limited ammo, food, water and other necessities. The Army which usually provided heavy artillery support couldn't because the tubes were not in place, and when they did arrive the ammo still hadn't come in. Krohn's battalion fought off repeated attacks until they were so weakened they knew they would die if they stayed, and in a heroic night march they slipped through the NVA lines.
Krohn is a talented writer who had a central vantage point to a fiasco. He clearly loves the men he served and suffered with and is bitter, with justification, at the REMF's that let them down. One of his friends in the rear was so enraged at the lack of support that he pulled a .45 on another officer to get supplies out to the field. The battalion suffered 60% casualties. Krohn was discouraged from writing this book because it made the top brass in the division look so incompetent. He wrote it anyway and has done a great service. If Clinton had read it maybe the fiasco recounted in Blackhawk Down would have been avoided, and probably a lot of other similar tragedies that have not yet come to light.
This review is based on the new paperback edition.

4 of 4 people found the following review helpful.
Telling it like it is!
By George James Kalergis
I read this book and found it to be right on target. It is an accurate and straight forward account. I don't see the author "pointing fingers" or on any kind of crusade to blame, as some have alluded to. He just told it "the way it was". Those that comment critically about the detailed description of the staff and command actions behind the scene either are ignorant or have their own agenda. IMHO

Commanders are not perfect, we all make mistakes and I think the author is more forgiving about some of them than I am. In my experience, the kind of miscommunication and foresight described in the book, happened all to frequently. It is unthinkable that a maneuver battalion would be put in that position without immediate artillery support! Heads should have rolled! From my experience in my year with the 1st Cav, the lessons from the supply and artillery coordination blunders were available to be learned all along, but certainly in the months leading up to TET.

I was an FO/Door Gunner experience with the 1st of the 9th for 30 days, on the ground as an FO with the 5th of the 7th and with a firing battery of the 1st of the 21st for the calendar year of 1967. I was involved with quite a few actions that turned out less than well as a direct result of the kind of poor command decisions and staff planning that are encountered and describe so well.

There are so many lessons that can be learned from this book, but in all probability will be ignored. My hat is off to the author for having the courage and persistence to "tell it like it was"!

George Kalergis
LTC FA (ret)

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[E390.Ebook] Download Brush Meditation: A Japanese Way to Mind & Body Harmony, by H. E. Davey

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Based on traditional Japanese shodo, "the Way of Calligraphy," Brush Meditation introduces beginners and non-artists alike to working with brush and ink as a form of "moving meditation." By showing you how the most elemental brush strokes reveal your physical and mental state, it teaches you to become "one with the brush," attuned to the underlying principles of life and nature. As the text explores the intricate relationships of mind, body, and brush, it delves into the mysteries of human life energy, or ki, and the power of the hara, a natural abdominal center. Simple exercises demonstrate how to use the brush in spiritual practice, while illustrations guide every step. In the Appendix is information about how to find more formal instruction as well as sources for brushes, ink, and paper.

Brush Meditation is now out of print, but the entire book is included in The Japanese Way of the Artist (Stone Bridge Press), which also contains Living the Japanese Arts & Ways and The Japanese Way of the Flower. Get three popular books by H. E. Davey for the price of one. Order The Japanese Way of the Artist from Amazon.com and discover the secrets of Japan's ancient arts, crafts, and forms of meditation.

H. E. Davey is Director of the Sennin Foundation Center for Japanese Cultural Arts. He has decades of training in Japanese yoga, healing arts, martial arts, and fine arts.

• Sales Rank: #1301336 in Books
• Brand: Brand: Stone Bridge Press
• Published on: 1999-09-01
• Original language: English
• Number of items: 1
• Dimensions: .42" h x 7.02" w x 8.99" l,
• Binding: Paperback
• 144 pages

Features

• Used Book in Good Condition

Review
"Mr. Davey's writing is fluid and engaging. He does not get overly technical and is easy to understand. The book kept my attention and made me wish for more balance in my life."--Reader Views

"This edifying paperback delivers the goods and makes crystal clear the close connection between art, meditation, and self-mastery."--Spirituality & Practice review

"H. E. Davey combines a remarkable technical facility in the Japanese art of the brush with a deep understanding of its spiritual profundities. His book offers a marvelous practical introduction to Japanese calligraphy as well as insights into the essence of the art. It is a unique and fascinating presentation of a little-known art of self-cultivation." -Dave Lowry, author of Sword and Brush -- Review

From the Publisher
Brush Meditation is part of Stone Bridge Press's MICHI: JAPANESE ARTS AND WAYS series. From chado--"the Way of tea"--to budo--"the martial Way"--Japan has succeeded in spiritualizing a number of classical arts. The names of these skills often end in Do, also pronounced Michi, meaning the "Way." By studying a Way in detail, we discover vital principles that transcend the art and relate more broadly to the art of living itself. Featuring the work of H. E. Davey and other select authors, books in the series MICHI: JAPANESE ARTS AND WAYS focus on these Do forms. They are about discipline and spirituality, about moving from the particular to the universal... to benefit people of any culture.

From the Author
Brush Meditation is out of print, but the entire book is now offered in The Japanese Way of the Artist (Stone Bridge Press). What's more, you'll also get two of my other out of print titles: Living the Japanese Arts & Ways and The Japanese Way of the Flower.

Shodo is Japanese calligraphy. It means, “the "Way of Brush Writing,"” and it'’s one of numerous Japanese arts ending in “Do,” indicating “the Way.” Nonetheless, how these arts function as Ways isn’'t always understood.

It’'s common to state that shodo is a Way of life (thus the designation “Do”), and that by practicing, we can transcend it and grasp the art of living. While this is true, it’'s uncommon to find a teacher (or book) that can explain how calligraphic art leads to spiritual realization. While some books pay lip service to the ideal of the Way producing spiritual evolution, they also sometimes fail to offer direct explanations and methodologies to help students realize the Way. It’'s frequently assumed that merely manipulating a brush will produce profound realizations.
 
This is untrue and unfortunate. It'’s untrue because it’'s the manner in which we approach the Ways that determines what we learn from them. Spiritual realization isn’t guaranteed.

It’'s unfortunate because the conscious practice of Japanese Do forms truly can result in the cultivation of mind and body. But to use shodo as meditation, we must investigate exactly how it can lead to realization.

Japanese calligraphy has been the subject of numerous books. Few of these works, however, have explored how it goes beyond art and enters into spirituality. Even fewer have offered methods to practice what can be thought of as “"brush meditation,”" and which are needed for personal growth to take place.
 
My book was written to answer that need, and I'm grateful for the kind reviews as well as the positive worldwide response.

Most helpful customer reviews

39 of 39 people found the following review helpful.
Useful for Both Japanese Calligraphy and Meditation
By A Customer
I've been interested in Japanese painting and also brush writing for quite a few years. At the same time, I've also been fascinated by the idea of art as meditation. While I've read quite a few books that vaguely discuss how Japanese calligraphy is supposed to be "moving meditation," H. E. Davey's book is the first one I've read that clearly explains exactly how this takes place and how to start to use the brush in meditation.

Brush Meditation: A Japanese Way to Mind & Body Harmony not only deals with using Japanese calligraphy as a device with which to meditate, it does so in a manner that even people with no understanding of Japanese will be able to get something out of trying the exercises discussed. It seems to me, that you could apply the ideas in this book to most forms of art, and even in school, business, or family life, to arrive at a true understanding of calmness and personal harmony.

It's a useful book. I only wish it were longer. I hope the author comes out with a second, perhaps intermediate level, volume soon.

26 of 26 people found the following review helpful.
Shodo as it should be.
By B. Denison
I recently finished reading the book, Brush Meditation: A Japanese Way to Mind and Body Harmony, by H. E. Davey. The book is excellent. I am novice (hardly even that, actually) when it comes to Shodo (having only recently begun studying Shodo), but your book provides a very smooth introduction, and does a great job of getting across the relationship between it and the other Japanese cultural arts (chado [tea ceremony], budo [martial Ways], kado [flower arrangement], etc).
It is written in a very positive way and contains many beautiful pieces of artwork. I very much enjoyed the "four experiments toward a positive mind," these are great examples of introspection. Though I am far from an expert in budo, I have spent many years training and researching this topic, yet several of the explanations, provided for terms such as fudoshin, hara, and ki shed new light on these concepts, beyond just their relationship to Shodo.
Chapters three and four provide a very gentle introduction to the physical techniques while also providing an overview of the relationship between good posture and the proper state of mind. The importance of the coordination of mind, body, and spirit is presented in a way that should be easy for someone that is new to the Japanese cultural arts to grasp and understand.
I am again impressed with Davey sensei's ability to communicate a complex subject in an interesting and informative way that maintains the readers interest, while still capturing the subtleties of the topic.
From a beginner's perspective, this is an excellent reference, and I highly recommend it.

31 of 32 people found the following review helpful.
A Splendid Glimpse into the Art of Japanese Calligraphy
By A Customer
Strike with the katana, the Japanese long sword. Arrange a blossom in that brief interval after it's been cut, before it withers. Whisk a bowl of tea into a perfect froth. Seemingly disparate activities, yet each demands a similar sense of irrevocable action; absolute commitment; total coordination of mind and body. Once begun, none can be retracted. The consequences of each are obvious: a blunder is, if anything, more manifest than a flawless execution. In perhaps no other Japanese form of creative impulse is this concept of ichi-go, ichi-e--"one encounter, one chance"--more dramatic or obvious than when the calligrapher first touches an ink-wet brush to the dry expanse of white paper before him. Shodo, the Way of the Brush, exemplifies the spirit of Japanese art. In its potential for artistic expression contained within the rigid demands of form lies the challenge and the infinite reward of all the classical Ways of Japan.

From the budo (martial arts) to kado (or ikebana) to chado, the discipline of the tea ceremony, the range of these traditional Japanese Ways introduced to the West in the past half century has been extensive. Shodo, for the most part, remains an exception. The elegant art of the Japanese brush has, in large degree, been overlooked by Westerners in pursuit of the various Ways. Instruction outside Japan is limited. There are a few books on the subject; nearly all focussed on technical aspects of the art or else scholarly in direction, devoted to tracing the development of brush writing from its origins in China to its importation and evolution in Japan.

In pleasant contrast, H.E. Davey's new book, Brush Meditations: A Japanese Way to Mind & Body Harmony takes a unique approach in introducing shodo to the general public outside Japan. Quoting calligrapher Kobara Ranseki, who notes that "Every time I teach, I explain that art is balance," the author adopts a similar strategy in presenting shodo: a balanced one. The philosophical underpinnings of the craft are juxtaposed with practical advice on how to sit when practicing calligraphy, how to grasp the brush, what to look for in the shape and proper structure of the written character. Chapters are nicely balanced, with a history of ecriture in China and Japan, followed by an exploration of the mind-body connections pursued by the student of calligraphy. Then comes a chapter on the correct attitudes and habits of the calligrapher, and finally one featuring instructions for calligraphic compositions and projects. The result is a well-organized, comprehensive introduction to the Way of the brush, with a number of points to recommend it.

As one reads through the book, another, incidentally, from Stone Bridge Press which is rapidly gaining a reputation as a quality purveyor of books about Japan, some observations occur. Included in the closing chapter are directions for brushing an enso, for example, the smooth circle of ink that is a provenance and signature of the Zen adept. Despite the do-it-yourself enso, Zen's overall contributions to shodo are given a mercifully short shrift here. The over-emphasis on this sect of exoteric Buddhism in Western literature on all the Japanese Do has far eclipsed other equally important influences on them. On the other hand, a great deal is made in this book of the operation and importance of ki energies during shodo. This may irritate some readers impatient with the over-mystification of ki which has become practically a cottage industry among too many non-Japanese authors bent on draping Japan's artistic forms in impenetrable mysticism. In the author's defense, it must be noted that he is a no-nonsense pragmatist when it comes to ki. He is using the concept primarily as a way of explaining the control of energy, the conscious expression of spirit, the flow of intent from the mind of the calligrapher to the brush in his hand to the flowering of the character on paper.

Davey struggles a bit when he explains the actual mechanics of making the three basic strokes of brush calligraphy. That is understandable. The simplest basic of any Do is impossible to describe through words alone. These are techniques which, common to all the Ways, simply cannot be adequately explained in print, nor mastered unless one is directly under the tutelage of a teacher. This book introduces the skills and makes no claims to do more in that regard. As much as any "how-to" text, instructions for controlling the line and shape of written characters are clear, detailed, and sufficient to compel the reader to take out ink, brush, and paper, and to "give it a try." The book's usefulness and value, in addition to providing the technical basics of calligraphy, however, lies in the broader scope of rendering for the reader the process of undertaking shodo, or any of the Japanese artistic disciplines.

Brush Meditation addresses a number of concepts that should occupy the calligrapher as well as anyone with an interest in these Ways. His discussion of the spiritual component that elevates craft into art is informed and inspiring. He describes wonderfully the conflict between a natural spontaneity--which is the goal of anyone following a Do--and the vital adherence to a set form--which is vital to achieving that goal.

"If your mind is correct, the brush will be correct," the author reminds. The adage is equally valid contrapuntally. Beautiful calligraphy emanates from a correctly tuned mind. This is clearly Davey's motivation and intent for following in the path of the brush. His view of shodo is as a means of personal transformation and self-cultivation; his book is directed at sharing this perspective. Brush Meditation offers a splendid glimpse into the discipline of Japanese calligraphy as more than a purely artistic or communicative medium. It is an enjoyable read, one that educates as it stimulates the imagination, and is sure to be a welcome, quickly ink-stained addition to the library of those with a serious interest in the Ways of traditional Japan.

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• Published on: 1825
• Binding: Paperback

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In 1867, Otter travels from Three Willows Village in China to California -- the Land of the Golden Mountain. There he will join his father and uncle.

In spite of the presence of family, Otter is a stranger among the other Chinese in this new land. And where he expected to see a land of goldfields, he sees only vast, cold whiteness. But Otter's dream is to learn all he can, take the technology back to the Middle Kingdom, and free China from the Manchu invaders.

Otter and the others board a machine that will change his life -- a train for which he would open the Dragon's Gate.

• Sales Rank: #279290 in Books
• Color: Multicolor
• Brand: Harper Collins
• Published on: 2001-01-23
• Released on: 2001-01-23
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x 5.25" w x .75" l, .53 pounds
• Binding: Paperback
• 335 pages

From Publishers Weekly
This 1994 Newbery Honor Book, a prequel to Dragonwings, tells of 14-year-old Otter's 1865 emigration from China and subsequent travails in California. Ages 10-up.
Copyright 1995 Reed Business Information, Inc.

From School Library Journal
Grade 6-10-Yep uses the lively storytelling techniques of his "Dragon" fantasy-adventure novels to re-create a stirring historical event-here, the construction of the transcontinental railroad. Serpent's Children (1984) and Mountain Light (1985, both HarperCollins) described the political and natural disasters that led to widespread famine in 19th-century Southern China. Cassia and Foxfire, the "Serpent's Children," came from a long line of revolutionaries. Foxfire followed his dreams across the sea to the "Golden Mountain," California, where he earned enough money to revitalize his village. Dragon's Gate opens in China with Foxfire making a triumphant visit home. Otter, Cassia's adopted son, who tells the story, worships his uncle and longs to follow him back to the Golden Mountain. Granted his wish at last, Otter finds Foxfire working on "Snow Tiger," a mountain in the Sierra Nevada range, where Chinese laborers strive to hew a tunnel through solid rock. Appalled by the living conditions and disillusioned with his uncle, Otter must struggle to survive racial prejudice, cold, starvation, the foreman's whip, and the dangers of frostbite and avalanche while trying to reconcile his ideals and dreams with harsh reality, and to find his place in a strange land. Combining believable characters with thrilling adventure, Yep convinces readers that the Chinese railroad workers were indeed men to match the towering mountains of the west. Because the first few chapters, set in China, may be a bit confusing to children who have not read the previous two books, this will likely need booktalking.
Margaret A. Chang, North Adams State College, MA
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
Yep illuminates the Chinese immigrant experience here and abroad in a follow-up to The Serpent's Children (1984) and Mountain Light (1985). After accidentally killing one of the hated Manchu soldiers, Otter (14) flees Kwangtung for the ``Golden Mountain''; he finds his adoptive father Squeaky and Uncle Foxfire in the Sierra Nevada, where thousands of ``Guests'' are laboriously carving a path for the railroad. Brutal cold, dangerous work, and a harsh overseer take their toll as Squeaky is blinded in a tunnel accident, Foxfire is lost in a storm, and other workers are frozen or half-starved. By the end, toughened in body and spirit, Otter resolves never to forget them or their sacrifices. Foxfire and Otter consider themselves only temporary residents here, preparing for the more important work of modernizing their own country while ridding it of Manchu, Europeans, and, especially, the scourge of opium. America is a dreamlike place; English dialogue is printed in italics as a tongue foreign to most of the characters; and though Otter befriends the overseer's troubled son, such social contact is discouraged on both sides. In a story enlivened with humor and heroism, Yep pays tribute to the immigrants who played such a vital role in our country's history. Explanatory note; reading list. (Fiction. 11-14) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Dragon Gate - A Clash of Cultures
By A Customer
Dragon Gate is a heartbreaking story about a young Chinese boy's life America. Otter had to move to America after he got into some trouble in China, and worked on the railroad during the industrial revolution. This compelling story is about the hardships, clash of cultures, and discrimination that Otter had to deal with. It is a deeply moving story that I enjoyed immensely. It is a story that many people can relate to, which is why I encourage that it should be read. The themes and lessons in this book are very poignant, and relate to everyone on some level. The Characters are very life like and seem almost like real people, and you start to see a little of yourself in Otter. You can't help but put yourself in the characters shoes, and imagine what you would have done in their place. The words and descriptions pull you into the story and make you feel as if you were there; going through every thing Otter was going through.

I would recommend this book to anyone above middle school level and to teenagers especially. Older readers can identify more with the feelings of change, loss, and not fitting in that Otter goes through. At one point in our lives we all have an idol that we try to emulate, and sometimes when that idol does not live up to are high standards we feel let down and betrayed. Otter goes through these feelings with his Uncle Foxfire, and the story makes you realize that our idols are only people and that we should allow them to make mistakes. Even though the book seems simple it is the hidden messages in it that make it such a good read. The story teaches us the lesson of forgiveness, of standing up for what you believe in, but it also enlightens us that it is okay to be scared and make mistakes along the way.

0 of 0 people found the following review helpful.
A Different Perspective
By A Customer
The thing that I liked the most about Dragon's Gate was the diversity of the different personalities of the characters. For example, Sean was a westerner who was very friendly with the T'ang men, while the other westerners disliked the T'ang men and treated them scornfully and disrespectfully. Different personalities also existed within the crew. You can observe that Squeaky was humorous and entertaining because of the way he reacted towards the Chinese people addicted to opium. On the other hand, Foxfire, was more of a serious mentor who always worried about issues, gave precious advice, and tried to keep his promises. Also, each character had a different talent. Dandy played the moon guitar, Packy was an excellent chef, and Curly liked to bet. I was really interested in the variety of different personalities of the characters.

I would recommend this book to the descendents of the T'ang men who built the tunnel. They had risked their lives and made countless sacrifices to their family and crew members. They cooperated and worked as a team in order to fulfil their destinies. For example, Sean wanted to go to school to become an engineer, Noodles wanted to open a restaurant, and Doggy wanted to establish a theater. However, I would like to change the ending of the book, but I don't want to give it away. I would like to change the situation that Otter ended up in and the country that he chose to stay in. I would also like to eliminate Otter's dream that guided him through his decisions, because he thought that it was a message that he had to follow. Other than the few things that I would like to change about the book, I really liked the plot and all the experiences that the characters went through.

0 of 0 people found the following review helpful.
Quite Fair
By A Customer
Dragon's Gate seems to be quite the marvelous book to read. I always favored the Chinese culture, and it was pleasing to learn more about it. Though I didn't really understand half of it. It didn't seem to get through my head when it was mentioned Otter was adopted by a new woman, who was married to Squeaky, but had feelings for another man, his father. I wasn't exactly sure whether his adopted father was Squeaky or not, which threw me off course slightly. However, the book was very enjoyable. It was somewhat humorous, since Braid seems to be a gurgler when someone says something wrong. It was strange though, how they called America 'The Golden Mountain.' I was somewhat confused more than half the time, but I was able to understand the story. It was exciting when he acctually had the chance to visit 'The Golden Mountain,' as well. Out of all events, I liked three the most. I adored how Braid continued to clear his throat and gurgle while Otter's friend carried on with speaking. It was amazing to learn that a special drug, opium, was sold in China after the Opium War, causing several addicts spending their money, resulting to poverty. What I truly liked the most though was the fact that Otter's father had worse English than Otter, when his father had been working on 'The Golden Mountain' for years. I would definately recommend this book to those who enjoy historical fiction, at ages ten and up.

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Designed for a two-semester algebra-based course, Essential Physics provides a thorough understanding of the fundamentals of physics central to many fields. It omits material often found in much larger texts that cannot be covered in a year-long course and is not needed for non-physics majors. Instead, this text focuses on providing a solid understanding of basic physics and physical principles. While not delving into the more specialized areas of the field, the text thoroughly covers mechanics, electricity and magnetism, light, and modern physics.

This book is appropriate for a course in which the goals are to give the students a grasp of introductory physics and enhance their analytical problem-solving skills. Each topic includes worked examples. Math is introduced as necessary, with some applications in biology, chemistry, and safety science also provided. If exposure to more applications, special topics, and concepts is desired, this book can be used as a problem-solving supplement to a more inclusive text.

• Sales Rank: #4495184 in Books
• Published on: 2013-12-17
• Original language: English
• Number of items: 1
• Dimensions: 10.10" h x 1.40" w x 7.20" l, 2.50 pounds
• Binding: Hardcover
• 472 pages

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0 of 2 people found the following review helpful.
Excellent. But the postage was a bit
By hschiu
Excellent. But the postage was a bit high

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[Q966.Ebook] Ebook Download Orion Mystery: Unlocking the Secrets of the Pyramids, by Robert Bauval, Adrian Geoffrey Gilbert

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This story unlocks many of the key secrets of the great Pyramids, their purpose, design, religious function and exact placing. It ties in intimately with the recent discovery by Rudolf Gantenbrink of a hidden tomb in the Pyramid of Cheops.

• Sales Rank: #1948745 in Books
• Published on: 1994-01-31
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 325 pages

Review
"Absorbing and fascinating... how they reach their conclusions is clearly and rivetingly told... highly an compulsively readable" Sunday Times "A discovery about the pyramids that could change our whole view of human history" Evening Standard "Persuasive and scholarly" Observer

About the Author
Adrian Gilbert is the author and independent publishing consultant. In 1991 he set up Solos Press, a small publishers specialising in Christian Mysticism, Gnosticism and the Hermetic tradition of Egypt. He has been researching Ancient Egypt for over twenty years and regards th discoveries contained in The Orion Mystery as crucial to our understanding of the pyramid age. Robert Bauval was born in Egypt in 1948. A construction engineer, his interest in Egyptology is long standing, having lived in Egypt and elsewhere in the Middle East for much of his life. In the 1980s he developed a line of study linking the pyramids and the so-called Pyramid Texts with astronomy. He has published several papers on this subject and his findings have been presented at the British Museum. His is the co-author of three international bestsellers: The Orion Mystery and Keeper of Genesis and more recently The Secret Chamber.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great book ! Immensely readable !
By Fotini Vourlekis
Robert Bauval understands Egyptian culture and Egyptian past.He himsef was born in Egypt of an Egyptian mother.

He explains very methodically the connection between the pyramids and the stars,especially Orion.The Egyptians believed the soul of the Pharaoh will join Orion.This is probably the beginning of Astrology.

Bauval's book was very inspirational to me,and I totally understand his preoccupation with Egypt.I myself am Greek,born in Greece,and when you are born in a place that in essence is a Museum,you become steeped in that culture,it becomes part of your DNA.

Greeks and Egyptians have been connected for thousands of years,with Egypt being the mother of three major reliegions: Buddism,Judaism,and Christianity,via Greek philosophy.

Bauval's book totally reawakened my interest in Great Egypt.It is a great read.

0 of 3 people found the following review helpful.
Orion Mystery
By James W. Hawley
The book Orion Mystery was as advefrtised. THe seller shipped promptly and in the condition ordered. I have no problems with this purchase.

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[I631.Ebook] Ebook Download UN CURSO DE MILAGROS (Spanish Edition), by Dr. Helen Schucman

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Este libro electrónico contiene la traducción al español de la tercera edición del libro en inglés “A Course in Miracles”. Esta edición incluye en un solo volumen todos los libros que con anterioridad se habían publicado por separado, y es la única edición del Curso que reúne todos los escritos que la Dra. Helen Schucman autorizó que se publicaran. Lo ha publicado exclusivamente la Fundación para la Paz Interior (Foundation for Inner Peace) que es la organización que, con este fin, la Dra. Schucman seleccionó en 1975.
“Un Curso de Milagros” es un sistema de pensamiento espiritual completo que se aprende de forma autodidacta y que se centra en la santidad de las relaciones. Enseña, por consiguiente, que el camino hacia el amor y la paz universal -es decir a recordar a Dios- pasa por des-hacer la culpa perdonando a los demás. El Curso hace hincapié en que no es sino una versión más del plan universal de estudios, y, si bien utiliza el lenguaje cristiano tradicional, expresa una espiritualidad no sectaria y aconfesional.
Desde que la Foundation for Inner Peace lo publicó por primera vez en 1975, Un Curso de Milagros ha sido amorosamente traducido a 24 idiomas. En total se han distribuido por todo el mundo casi tres millones de libros impresos, audiolibros y libros electrónicos.

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"A Course in Miracles" is a complete self-study spiritual thought system. As a three-volume curriculum consisting of a "Text", "Workbook for Students", and "Manual for Teachers", it teaches that the way to universal love and peace through forgiving others. The Course thus focuses on the healing of relationships and making them holy.
The "Text" presents the theory of the Course and has built into its study the development of the experience of forgiveness that is the Course's goal for the student.
The "Workbook for Students" includes 365 lessons, one for each day of the year. It begins the process of changing the student's mind and perception, though it is not intended to bring one's learning to completion.
The "Manual for Teachers" is written in question-and-answer form and provides answers to some of the more likely questions a student might ask.

• Sales Rank: #80920 in eBooks
• Published on: 2015-02-13
• Released on: 2015-02-13
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Hermoso libro de estudio espiritual que enseña que el camino ...
By Marcela Roldan
Hermoso libro de estudio espiritual que enseña que el camino hacia el amor y la paz interior es a través del perdón, Se lo recomiendo a quienes quieran de verdad ver la vida de una manera mas fácil y bonita de vivirla, que quieran encontrar tranquilidad interior, liberarse de estar criticando y juzgando a otros, a perdonarse así mismo como perdonar a otros por cualquiera sea la razón de lo que le haya pasado o lo que le hayan hecho. Muchas personas famosas que estaban perdidas en las drogas o en otros problemas han logrado un bellísimo nivel de comprensión del mundo y se han convertido en portadoras de mensajes de amor y perdón. Vale la pena estudiarlo, no es fácil de interpretarlo algunas veces, pero si hace el esfuerzo o busca grupos de ayuda, sera grande la recompensa.

1 of 1 people found the following review helpful.
Una excelente colección de principios teo-psicológicos para regir nuestro diario ...
By Amazon Customer
Una excelente colección de principios teo-psicológicos para regir nuestro diario caminar por la vida. Aún cuando a veces me parece elevado y difícil de alcanzar, la perseverancia y las lecciones prácticas son de gran ayuda. Altamente recomendable.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Me gusto la lectura de Un Curso de Milagros porque me enseñó a analizar cada párrafo leído. Gracias

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